Global Alumni

Ramera Abraham is a London-based vocal producer, recording engineer, and songwriter. Having spent her younger years studying music in the Philippines, Abraham is now classically trained in piano, vocals, and drums. After completing her undergraduate degree in Canada, the multi-faceted created moved to London in 2017 to study our Advanced Diploma in Sound Engineering and Music Production course at Abbey Road Institute.

Upon graduating from the Institute, Abraham earned an engineering residency at Spotify’s Noteable studio, under the mentorship of Berklee College of Music. It was there that she dealt with daily studio operations and delved into the world of vocal production and engineering. After her Spotify residency, Abraham became a runner and then assistant engineer at Metropolis Studios, where she assisted on several projects. Including: Little Mix’s last two albums, Grammy-nominated musical theatre album “Cinderella” with Andrew Lloyd Webber, and Nick Cave and Warren Ellis’ album, Carnage.

Abraham has since progressed into a freelance role, primarily at music distribution and artist services company, Platoon. Some of her biggest career highlights include working with Saint Harison, TianaMajor9, RAYE, Luz, Ms Banks, Henry Moodie, Kamille, and Matt Taylor. She was also included in SheSaid.So’s Alternative Power 100 List 2021 as one to watch, and is the Music Producers Guild’s Vocal Producer of the Year 2023.

Abraham has also taught several vocal production masterclasses with MPW, ICMP, University of Winchester, and at her alma mater, Abbey Road Institute. She has been creating vocal arrangements and writing harmonies from a very young age and has been in the professional recording industry for nearly six years. The majority of her work spans across the pop and R&B genres. Find out more about Ramera Abraham on her website. 

Following his graduation, Dominic Parry worked as a full-time apprentice at leading audio equipment rental company Britannia Row Productions. Founded by Pink Floyd, Britannia Row has grown to become a global leader providing equipment for the London Olympics, Foo Fighters, Mumford & Sons and The Cure‘s tour. Dominic assisted in the 2019 Brit Awards as a stage technician for numerous performing acts including James Bay, Calvin Harris, Hugh Jackman, and P!NK. He has also worked on Andrea Bocelli’s world tour and the MTV European Music Awards. Dominic’s apprenticeship scheme at Britannia Row Productions continued the training he started at Abbey Road Institute. He worked for several months in each of the companies departments (Maintenance, Speakers, Cables, Rigging, RF, Digital, Warehouse Manager Assistant & Prep) whilst taking part in two 15 week training courses; Live Sound fundamentals and Live Sound Intermediate graduating with distinctions in both.

Despite COVID having cleared his calendar of potential work in 2020, Dominic was not disheartened but instead moved to New Zealand, who were COVID free at the time, to find stable audio work. There he freelanced for Oceania Productions on: All Blacks vs Australia Bledisloe Cup (Corporate Lounge), Aotearoa Music Awards (mic & backstage management) and Plane Sailing festival 2022 (stage tech). He also started as a Production Technician for Streamliner Productions where he was then promoted to Head Venue Technician for Sky City.

Dominic is extremely proud of his work in New Zealand, working on projects that hold extreme significance to Māori culture such as operating the audio for The Royal Commission of Inquiry into Abuse in Care in 2022.

Dominic is currently taking the Ableton Professional Certificate with Berklee Online, hoping to break into playback engineer roles in the future.

Quentin Durual joined Abbey Road Institute Paris having already gained some experience in the music industry. 
He worked freelance in mixing and compostion as well as working on two festival of light projectsin Lyon 
before studying with us. He also studied in London for a year to make music and improve his English.
Following that he joined Abbey Road Institute Paris in 2017. 

After Quentin graduated at Abbey Road Studios, he travelled to Australia for a 3 month internship at 
the famous and well respected 'Studios 301'. Upon returning to France, he has been working on a variety 
of projects including composing for television through a company called "The Range". He continues 
working as mix engineer and as a session guitarist for performances, collaborating with artists such as 
Nicko Soulchildren odaiba, Paul Flint and Tony Dofat. You can find out more about Quentin on his 
Instagram account.

Raphaël Guédin studied on the part-time Advanced Diploma in Music Production and Sound Engineering at Abbey Road Institute Paris from October 2017 to September 2019. A highlight of his time at the Institute was recording band ‘Mother Vulture’ in the Gatehouse at Abbey Road Studios.

He also completed an internship at Audioscope studios, in the 15th arrondissement of Paris whilst he was studying with us. The experience turned out to be very constructive as a few days after the end of his training Raphaël was hired as an assistant at the famous studio. Find out more about Raphael here.

Clara Blanchet, alias Klaar, est diplômée d’Abbey Road Institute Paris en 2018.

Clara Blanchet est une jeune auteure, compositrice et interprète française née à Paris. D’abord résolument moderne, son style s’inscrit entre pop et rock. En effet, ses influences musicales vont de la variété au folk-rock, en passant par la musique électronique et le hip-hop. Fort de son premier single “Baise-main” elle a notamment remporté les KR Découvertes 2018. A la suite de cette récompense, KR a organisé un concert intégralement retransmis en streaming. Clara a ensuite collaboré avec la productrice Sylvia Massy pour une nouvelle vision du single “Baise-main”.
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Léo Chupine trained at Abbey Road Institute Paris from January to December 2018. Following his graduation 
he first became an Assistant Engineer at the Studio de Meudon. This studio is particularly well known for 
providing two exceptional concert pianos for recording - a Steinway and a Fazioli. 
Léo Chupin then started work as a freelance sound engineer following his first sessions at the 
Studio de Meudon. He's had great recognition for his work and his innovative approach. In the second half 
of 2019, KR magazine selected him to be one of the "10 emeritus sound engineers" who have new ideas 
about the industry. The article was published in the special issue winter 2019-2020 edition.